Bulletin N° 694

 

 

Subject: An invitation to the Grenoble campus screening of “The Corporation” on Thursday, April 14, 2016.

 

 

11 April 2016
Grenoble, France

 

Dear Colleagues and Friends of CEIMSA,

We are pleased to invite you to watch with us Canadian filmmaker Mark Achbar’s 2003 award-winning documentary, “The Corporation,” which will be followed by an open discussion on “corporate order and modes for working-class democracy which can promote a new ‘social contract’.”

 

Sincerely,

Francis Feeley

Professor of American Studies

University of Grenoble-3

Director of Research

University of Paris-Nanterre

Center for the Advanced Study of American Institutions and Social Movements

The University of California-San Diego

http://www.ceimsa.org 

 

 

______________________________________
CEIMSA,

Center for the Advanced Study of American Institutions and Social Movements,

VOUS PRESENTE

Le film documentaire :

 

The Corporation

(V.O.)

 

Mark Achbar, producer

LE JEUDI, 14 AVRIL 2016

à

17h30


dans
La Grande Salle des Colloques

à

L’Université Stendhal

Grenoble

_____________________________________________

THE CORPORATION explores the nature and spectacular rise of the dominant institution of our time. Footage from pop culture, advertising, TV news, and corporate propaganda, illuminates the corporation's grip on our lives. Taking its legal status as a "person" to its logical conclusion, the film puts the corporation on the psychiatrist's couch to ask "What kind of person is it?" Provoking, witty, sweepingly informative, The Corporation includes forty interviews with corporate insiders and critics - including Milton Friedman, Noam Chomsky, Naomi Klein, and Michael Moore - plus true confessions, case studies and strategies for change.

Winner of 24 INTERNATIONAL AWARDS, 10 of them AUDIENCE CHOICE AWARDS including the AUDIENCE AWARD for DOCUMENTARY in WORLD CINEMA at the 2004 SUNDANCE FILM FESTIVAL.

This film is based on the book The Corporation: The Pathological Pursuit of Profit and Power by Joel Bakan.